第一次升空时直至完全进入太空镜头始终被留在太空舱内在这里体验被同步而非情感的同步实际上在电影中镜头离人物愈近我们离人物愈远与其称之无法触及人物灵魂倒不如说它恰如其分地具象化了阿姆斯特朗欲与世隔绝的心理“隔离实为影片始终被强调的因素(人物与环境的隔离太空舱与宇宙的隔离丈夫与妻子的隔离)First victim Neil Armstrong.
There are some storylines that developed well in the foreground or background but Kala has the least progress. In the second half, there's more synergy but also more plotholes during the attempts to bring the pieces back together but it is good that answers are provided.